BD1982 is at the top of my criminally slept on list. Representing the Seclusiasis camp from Tokyo, where he moved from NYC a few years ago, dudes managed to get in with Goth-Trad and the infamous Back to Chill crew while simultaneously cooking up some of my absolute favorite tracks. He’s got a new 12″ that is dripping Xenon.

A. side is Dutty family 77Klash on the gunman tip over the crushing Water Faucet Riddim. The flip is the skittering Space Boots with remixes from some of the the biggest up and comers on the scene the U.K’s Slugabed and Montreal’s Hovatron. It’s hard to describe what happened in Vancouver last month when I dropped the Slugabed mix (Dev79 call it “hyper color style”) since the combination of howling low end fiends and gorgeous writhing Canadians basically led to sensory overload and total black out. If this is the sort of thing your interested in….cop the rest of the tracks @ Beatport Bleep Juno Download iTunes

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BD1982 “Space Boots (Slugabed Remix)

More soon from the infatiguable Seclusiasis!

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Antipop Consortium – Fluorescent Black 5 Minute Teaser Mix

…followed by Buffie The Body and two symphonies

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I love this album. It drops next Tuesday. Anti-Pop Consortium will be joining us for a live broadcast Monday, the eve of the album’s release, on Mudd Up! with DJ Rupture on WFMU 91.1 fm. Rupture and I will talk with Beans, HPrizm, M. Sayyid, and E. Blaize about their music, influences, history, lyricism, technology, afrofuturism, their insane live sets, etc. plus we’ll be playing some exclusive selections from the group. It should be tremendous!

Subscribe to the Mudd Up! podcast if you want downloadable versions: , Mudd Up! RSS. Listen, get involved, throw in comments, questions. Again, Mondays @ 7PM.

For those outside our FM broadcast range, WFMU offers live streaming and even has its own free iPhone app!

Waer Rock dropped another excellent mix last week over at Culture System, Melodic Wonkster – a collection of euphonic wobble sickness for those tired of the standard wubstep “wub wub”. Waer moved away from the downbeat treaty (or what we called “noir noir”) to a sonically harsher territory; a relentless attack of wobble/wonk that is not only tolerable but very enjoyable, simply because of the constant change up of styles in the mix and the interesting “design forms”/wobble structures the selected producers invested in the tracks.