Not really a lot of commentary about this besides the fact that I just listened to it like 19 times in a row. This is, how you say, my shit. Sweet and low rnb en espanol by World Hood out of Sacramento with Peligrosa crew’s own Sonora coming in hard body on the remix. Big tune, and it’s downloadable via the soundcloud page, so get to it.
Que Bajo?! returns to NYC after touring Miami, Medellin, Barranquilla, Bogota, Cali, and SXSW… come hear exclusive new remixes from myself, Uproot Andy, DJ Orion, Toy Selectah, Isa GT and more and check out our guest DJ’s Venus X of the Ghe20 Gothik Party who just rocked the shit out of the fader fort at SXSW and Panchitron from the Peligrosa All Stars crew down in Texas. Pancho’s mixtape stayed in heavy rotation last month for Que Bajo?! fans
Thursday March 31
Le Poisson Rouge
158 Bleeker St
11pm -$10
Ten years ago today, a man who redefined the grind passed away. You can read more about him and his influence in Jace’s article for Frieze magazine (mentioned here last week), as well as in a couple of other pieces that are mentioned in the comments section. I’m just gonna add the following love song for the occasion.
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Here are some photos from Tormenta Tropical at SXSW. I don’t have time to write a long post but suffice to say I was honored to play with all these great people and have such a great party. You are all legendary and I love you. Photos by El Subcomandante Quito, full album here.
ORION REPPING, JONES SMILING
MALUCA AND HER COOKIES GOING IN
POSE
OK WE’RE MOVING
MS MALU MCING WITH ME
NGUZUNGUZU INCITE MAD SKANKING
RAVERS
ME MAKING A MAD FACE TO NGUZUNGUZU, JUBILEE STANDING BY
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Alright, Spring is here & Miss Badu has blessed us with yet another extremely good album. I’ve returned to it already a few times this week — New Amerykah Part Two (Return of the Ankh). At first, I was unsatisfied (I had that same feeling when I heard Worldwide Underground, as if the project was unfinished/not completely realized) but for New Amerykah Part Two, with each listen, something magnificent is revealed –subtle, satiric undertones buried in samples, live instrumentation, and that voice – raw emotional honesty (+ sometimes turbulence.) I’ve said it before, if you think Erykah Badu’s music is only serious/militant/political/etc. — which it obviously is — you’re missing the point. She’s more playful, more humorous than she’s often credited for, and this album has some of the most amusing moments in R&B you’ll hear this year.
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an epic screwed freestyle joint from another overlooked Southside rapper, Z-Ro. This is from Crack, an album which finds the much loved and respected Southern rapper in usual low spirits exploring themes such as isolation (there’s something about Z-Ro’s loner persona, being from the lone star state, lone star state of mind?), crime, fake friends, and selfish women with a few bright, joyful moments—but it seems overall, still uncompromisingly gloomy like much of his previous works.
