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I have to say this is one of my favorite jams at the moment. Hard Mix is 19 year-old Noah Smith, a producer from Greenville, South Carolina. Look out for his album Weirdly Different, coming out later this year.
Dutty Artz own mr_blakkamoore is ramping up for the release of his new album Babylon Nightmare coming soon on Lustre Kingsand brings us this excellent podcast mixtape for a teaser: Global Warning (click here to download). Me and Liondub, who I produced ‘The General’ with contributed a remix of Jahdan’s ‘Songs of Love’ the first single for the new album. There’s a bunch of great stuff on here including some exclusives from Digital Ancient aka Andrew Moon Bain and a feature from Baja of Dry Eye Crew and Delie from Noble Society. Check out the post over at Largeup.com for a little bio of Jahdan and enjoy the mix.
“iHop” excels as a futuristic dubstep number with its focus on strong shuffling rhythms, thick bass melodies, and soulful, pitch-shifted vocal sampling on par with UK funky’s finest” – Patric Fallon, XLR8R
“excellent throughout… It’s always possible that he just went so deep into Detroit that he arrived in Africa by mistake.” – Eddie Stats, The Fader
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Matt Shadetek – iHop
Earlier this afternoon, the good folks over at XLR8R liberated a track “iHop” from Flowers,Matt Shadetek’s first solo instrumental album which drops June 8th – just a couple of weeks from now. This will be the first time we announce the album on this blog! We’re all excited about Flowers, which is Matt’s most beautiful and light-hearted work to date. Read Patric Fallon’s review and download the tune at XLR8R.
While delving a bit deeper into Kayhan Kalhor‘s repertoir following a Mudd Up tip-off, I came across bağlama player Erdal Erzincan, who he collaborated with on the album The Wind. I can’t really tell you too much about him, except that the following video is amazing and that you should watch it in its entirety.
It’s mostly a showcase for his jaw-dropping technical prowess (the guy actually makes the tapping technique popularized by Eddie Van Halen sound cool), which goes beyond the virtuoso habit of playing a ton of notes and actually tells a story. There are a ton of subtle structural and sonic details (rhythmic shifts, open spaces, buzzing strings) that keep me coming back to this clip, which now that I think about it, has been pretty time-consuming…Anyway! Kalhor has this to say about him (via):
“I appreciated at once that Erdal is a very good musician, a very serious baglama player – but he is still, normally, working within the demands of Turkish music today,” says Kalhor. “Ihis means songs and maybe a minute of playing in free time, and then another song. In Turkey, if you have a CD the market says you need 14 tracks and you have to have singing. I didn’t ask Erdal to sing. I explained to him, ‘I’m looking for something that departs from nothing and then goes into developing material and then goes into something else really improvised. Maybe we’ll go for a climax in terms of melody and energy and keep it there…And I’m looking at this for a form for maybe an hour of music.’ And he said, ‘I haven’t done that before, but I would like to do this.’ And he showed that he was indeed very much able to do this, and many of the things he played surprised and delighted me. What I’m trying to do in these kind of projects – whether with Shujaat or, now, with Erdal is to learn the music and experience the world through their eyes. And I am not trying to change what they do so much as offer them another vision of it. Musical Turkey, for instance, is very much based on composed songs. Improvisation of the kind that Erdal and I undertake, developing material, is something that has been forgotten…”
And here’s a video of them playing a beautiful piece together live, with Ulas Ozdemir and Ali Akbar Moradi:
Chief Boima‘s Techno Rumba EP is available now on iTunes, at Amazon and Boomkat! Read more about it + show some class & drop some change, people!
Techno Rumba is the excellent, official debut EP from San Francisco/Bay Area producer Chief Boima. Techno Rumba, the latest in a stream of digital EPs from Dutty Artz, is a pleasantly fresh and elegant take on Afrobeat and contemporary African dance music. It features two original tracks from Chief Boima; the irresistible “Baobab Connect” and the stunning title cut “Techno Rumba,” which boasts a pair of remixes from Dutty Artz own DJ /rupture & Matt Shadetek and Uproot Andy. /Rupture and Shadetek are fresh off remixing Gang Gang Dance and Telepathe and turn in an immersive and hallucinogenic afro-colombian flavored edit while Uproot Andy aims straight at the dance floor with his Ojalá Rumba version which has been inciting madness at Dutty Artz New York Tropical parties for months. Read the rest of this entry »
Once again Lil B has left me wordless. Has there ever been harder swag than this? #BASED_4EVER
Lamin and Matt kicked it with Lil B the last night of SXSW. I took the night off to make cognac and rootbeer float cocktails over 3 A.M. Nachos Supreme. I think B freestyled over Andy’s MacGyver Guacharaca. I’m starting to feel like I made the wrong decision.
I’m sure B is making some backstage moves as well- but as far as the public eye can see- he’s taken the over-saturation of digital media and marketing to the extreme. The man has no shame – he’s the Tila Tequila of indie rap- but underneath it all is a startling vision and undeniably powerful sentiment -he’s the open source Rammellzee. Eshun wrote, “In HipHop, science breaks it down in order to complexify not to clarify.” B just signed to Soulja Boy Tell ‘Em’s label Stacks on Deck. I rest my case.
Is it wrong that I cant wait to play this out? The 320 hunt begins.
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I haven’t heard that many tracks from Aidonia; he’s one of those mid to late ’00s dancehall artists you hear about all the time, see his name on countless mixtapes, and probably already heard a bunch of his tunes at parties, but you never actually went out of your way and check for his tunes. That’s until I heard the title cut from Stephen “Di Genius” Mcgregor’s incredible Bad People riddim which completely shifted my view on a couple of vocalists — but more on that shortly. “Heart Is Hers” features Aisha Davis and is produced by Equiknoxx producer/artist collective (who are also responsible producing another impressive Aidonia track titled “Negative.”) This is what dancehall sounds like in post-808s & Heartbreak/weird-emotional-electro-pop-hop era? Dancehall is going in so many different, exciting directions at the moment, and as for this particular type of sound which has been bubbling for the last few years I think it’s safe to point to T-Wayne & Yeezy as references. As Aidonia sings – “Song is too dead/it needs more life – Needs a faster melody/more melody/groove your body…”
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“Amazing reggae flavored harmonies & hotness to warm up the radio & airwaves”
Stephen “Di Genius” McGregor produced the riddim for “With You” — can someone please identify that riddim? Empress I-Klass is a Boston based singer – born of Antiguan heritage. She has been around since the late 1980s performing and singing lead and background vocals in various bands here in the States and in the Caribbean Islands. She opened for Freddy McGregor in Boston in June 2006.
Next Tuesday, April 27 Dutty Artz will release Techno Rumba, official debut EP from producer/DJ-extraordinaire Chief Boima. Techno Rumba is Boima’s elegant and fresh take on Afrobeat and contemporary African dance music. Head over to XLR8R now for an exclusive stream/preview of the entire EP – which features two original tracks from Chief Boima and a pair of remixes from Dutty Artz own DJ /rupture & Matt Shadetek and Uproot Andy.
You can download DJ /rupture & Matt Shadetek additional refix with original vocal contribution from performance artist Kalup Linzey. Also downloadable is the free remix EP African By The Bay – to hold you over until Tuesday when Techno Rumba drops in digital shops.
Ernest Gonzales, the man behind the wrestling mask/moniker Mexicans with Guns sent this one over earlier today. “Me Gusto” is raw, a terrific dancefloor scorcher. Purchase the vinyl or mp3 package which dropped today w/ Chico Mann on vocals and Ghosts On Tape remixing on the flip.
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I really want to go out / I really want to go outside and stop to see your day You really want to hole up / You really want to stay inside and sleep the light away But I know what’s good / Exactly ’cause I have been there before…
Enjoy the sun… today!
Cults 7″ will be released 23 December 2012, but you can download it now here.
Props Pitchfork
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Alright, Spring is here & Miss Badu has blessed us with yet another extremely good album. I’ve returned to it already a few times this week — New Amerykah Part Two (Return of the Ankh). At first, I was unsatisfied (I had that same feeling when I heard Worldwide Underground, as if the project was unfinished/not completely realized) but for New Amerykah Part Two, with each listen, something magnificent is revealed –subtle, satiric undertones buried in samples, live instrumentation, and that voice – raw emotional honesty (+ sometimes turbulence.) I’ve said it before, if you think Erykah Badu’s music is only serious/militant/political/etc. — which it obviously is — you’re missing the point. She’s more playful, more humorous than she’s often credited for, and this album has some of the most amusing moments in R&B you’ll hear this year.
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