This Wednesday, with the all-volunteer help of Spectacle Theater’s Akiva, Cassie D, and Zoe S, and WFMU’s Mike A, Bill B, and Dave E, we were able to continue our strange and occasionally bumpy journey down the path of live radio built from video clips & staged before an audience.
It’s an uncanny performance mode, talking to a roomful of bodies seated before Spectacle’s screen but knowing that many many more are listening at home, and attempting to create a path that works for both. Feels ‘experimental’ in the word’s basic sense: something for which the process and its possible outcomes aren’t yet established.
For the first of these radio-Spectacle nights, I screened Khaled & Cheb Mami rai comedy 100% Arabica, then in December it was Nass El Ghiwane documentary Transes.
And this Wednesday, on the first day of Black Mystery Month, I teamed up with Lamin Fofana, Chief Boima, and Old Money to host AFRO-SPECTACLE, two hours of live radio constructed entirely from DVDs & VCDs purchased in African-run stores in New York City, followed by a screening of Nollywood-NYC film God’s Own Country.
Are here are two selections from the evening: a jam Lamin & I have been into forever, a perfect song basically, based on an international collaboration between Sékouba Bambino & Kandia Kouyaté.(Lamin’s Brooklyn-purchased video version had much higher quality that this youtubery, alas.)
And my contribution to AFRO-SPECTACLE, a Don Cornelius homage in the form of David Bowie performing ‘Fame’ on Soul Train.
I’m proud of the brilliant ladies behind SUPERTIGHT, because with each episode their Bushwick public access program gets simultaneously better produced and even crazier. A rare feat in today’s mediascape!
We are kicking off (B)Lack History Month in style:
On Wednesday February 1st, at 7pm, DJ Rupture and Lamin Fofana will host a special 2-hour live radio show from south Williambsburg’s Spectacle Theater, with Chief Boima (new jams on the way!), Old Money, and a our favorite African video shopowner.
Following the live WFMU broadcast — built primarily from African music videos purchased in the cornerstores of NYC — we will screen God’s Own Country by director Femi Agbayewa. GOC presents the story of a young Nigeria lawyer who immigrates to NYC to discover that life in America is not like he hoped… As Boima explains, “It’s firmly in the Nollywood tradition. The story line is a New York story, and I think it’s the perfect context for the non-Nollywood initiated to get introduced to the industry. . . it is also referencing the tradition of the American hood gangster flick like Belly. Almost an amalgamation of the two.”
Palm wine and kola nuts are included with the $5 admission. Space is limited, so come early!
The Embassy is the name of my weekly WFMU radio show. We broadcast at 91.1 FM in New York and 90.1 in the Hudson Valley, and of course we on the internets. You can stream last night’s show and check here for the playlist.
I was quiet for most of 2011 when it comes to releasing original music. To be honest, I was a bit hard on myself. I’m finally getting out of that muck, and feeling ready now. I’m planning to put out several releases this year, on Dutty Artz as well as branching out to other labels.
Please find details for my first release of 2012 below. Titled Dubious Prey, it comes out on limited vinyl January 30th, then a digital release with additional remixes shortly follows. London label Sticks N Stones is releasing it… SNS a small new label owned and operated by my friend Aramac, and distributed by ST Holdings. Artwork, tracklisting, YouTube and SoundCloud previews – all below.
artist: Lamin Fofana
title: Dubious Prey
label: Sticks N Stones Recordings (Distributed by S.T. Holdings, UK)
date: 30th January for vinyl / 27th February for digital
Vinyl
A – Brokedown City
A2 – Dubious Prey
B – Brokedown City (Aramac Remix)
Digital
1. Dubious Prey
2. Brokedown City
3. Brokedown City (Aramac Remix)
4. Brokedown City (Svpreme Fiend Mix)
5. Brokedown City (Mayster & Contakt Rebuild)
6. Brokedown City (La Ola Criminal Remix)
Yesterday, XLR8R premiered the first cut from Dubious Prey, “Brokedown City”
NYC-via-Sierra Leone DJ/producer and Dutty Artz affiliate Lamin Fofana is set to release a new EP, Dubious Prey, the follow-up to his 2010 debut EP, What Elijah Said. The new EP features two originals, including this one, “Brokedown City,” a dark but still active piece of techno with a steady four-on-the-floor. The song’s notably tropical percussion is buffeted by potent synth lines, which bleed in and out of the song, and a barely audible vocal sample that occasionally slips into the mix…
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Our friend Daniel Perlin (a.k.a. N-Ron, but you’ll soon know him as Merlin) is throwing a crazy end of year houseparty at a space in downtown Brooklyn – Please join us in celebrating the amazing year that was 2011 and the arrival of 2012! Help us push away the spirit of apocalypse… He’s gone and invited the incredibleRipley, yrs truly, and some special guests. MORE details after Saul Williams, c. the year two thousand:
Saul Williams – Penny For A Thought
2012
APOCALYPSE LATER
DECEMBER 31, 10 PM
170 TILLARY ST. BKLYN
LOADING DOCK
Join Hosts dp, kwonix, Ezio and Danielle in celebrating the time-shift from 2011 to the year 2012
with DJ’s Merlin, Ripley, Lamin Fofana, + Special Guests.
1 night only, we are taking over The Loading Dock at 170 Tillary Street. This is a sacred space, to be treated with a proper party! To scare away the oncoming doom, we have everything, well, almost everything we need:
MUSIC- Be prepared to dance. Sounds from everywhere to make you move. LIGHTS- The most fabulous light system ever. It moves to the beat. It has switches for on and off! FOG- Yes. Fog. Even Kurtz could hide in our fog! DRINK- We have some. Bring more! BUBBLE MACHINE- 2012 in with style. Bubble style. HOT TUB- What more do we have to say. We have a brand spankin new hot tub in the and indoor/outdoor space. Never leave the boat. But you should know how to swim.
What we need: YOU! and a guest.
Please RSVP. We want to make sure we have all the necessary powers in order for an amazing time.
Peace good peoples. I’m new around here, so thanks firstly to Jace for having me. This here is a mix from my group Old Money for the good folks at VANE. Less a compilation of “the new hot shit” and more so genuine touchstones of influence for us. A cpl unreleased jawns on there from us, as well as one from Boima’s forthcoming African In New York. I’m really and truly still amazed that Boima managed to make me like that Usher song. Vanity Jukebox Vol. 13 Pretty Danger Mixed by Old Money by sotrvanenyc Playlist 1. Mad One – House Girls 7 – No War Inside 2. Old Money – [untitled] 3. DJ Mujava – Mugwanti / Sgwejegweje 4. DJ Tira – I Wont Let You Go 5. Old Money – Mothership [unreleased] 6. Nina Simone – See-Line Woman 7. Rebirth Brass Band – Feel Like Funkin’ It Up 8. Outkast – Spottieottiedopalicious (Nacey Remix) 9. Isa GT – Funketa 10. Kes The Band – Wotless 11. Crystal Waters – What I Need (Club Mix) 12. Maluca + The Party Squad – Lola (Ging Danga) 13. Usher – DJ Got Us Fallin’ In Love (Chief Boima Remix) 14. Lil Silva feat. Sampha – On Your Own 15. Gelú-Six – In The Building 16. Baobinga & I.D. – Man Down 17. Jhene Aiko – Club Stranger (Nguzunguzu Remix)
Also – our most recent video – “Dolla Van (Acuras, Maximas, Cressidas& Celicas)”
Also – one of the primary of the say 8 or 9 elements that influenced it – Lost Boyz – “Jeeps, Lex Coups, Bimaz & Benz”
S/o the OG “urban” brands in the vid. Mecca USA, Walker Wear and the like. And RIP Freaky Tah. If you’ve been living this long w/o Legal Drug Money you’ve been living foul!
WFMU is a wonderful institution. The longest running freeform, independent community radio station in the United States! I’m excited and very much looking forward to doing this once a week this winter! We’ll staying true to WFMU’s commitment to unstructured-format broadcasting, and we’re going everywhere all the time. Listen in.
Join us today, December 5th, at Brooklyn’s Spectacle Theater (124 South 3rd. btwn Bedford + Berry) for a live WFMU radio broadcast followed by a screening of Ahmed El Maanouni’s gripping and poetic Nass El Ghiwane documentary film, TRANSES (1981). Nass El Ghiwane, a group of working class musicians from Casablanca, revolutionized Maghrebi music in the 1970s and remain Morocco’s most important band. TRANSES captures them at the height of their power. The radio show will be built from a YouTube selection of some of my favorite Moroccan tracks and Nass el Ghiwane cover versions.
Here is an oft-compiled Nass El Ghiwane track, Mahmouma. This version comes from Stern’s epic 18-CD “Africa 50 years” box set (“The most comprehensive compilation of African music ever achieved. . . 183 classic recordings by 183 important artists from 38 countries in North, South, East and West Africa.”)
Sterns cut Mahmouma down to half its length, but the mastering is good:
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
[John Francis Peters - Meryem by the sea in Casablanca]
And last but not least, head to Time Magazine’s Lightbox to see “Insha’Allah”, a photoessay by John Francis Peters, taken in Morocco as part of our Beyond Digital project.
[Brian Degraw, Untitled John Lee Malvo, 2005, pencil on paper, 36 x 28cm]
As part of our ongoing efforts to keep radio exciting…
Tune in to Mudd Up! on WFMU next Monday, November 14th, for a show with special guest Brian Degraw, visual artist and musician from Gang Gang Dance! It’s gonna be a good one.
And below you can stream this week’s show — a live FM broadcast (& YouTube/film screening) from Spectacle Theater. New formats to help us unfold.
Big thanks to the behind-the-scenes team who made the 100% Arabica night a success: Bill, Dave, Mike, and Liz from WFMU, Spectacle’s Akiva, Tony, and the theater volunteers whose names I didn’t catch. Generosity mob!
Once we were actually broadcasting live and direct, I got overexcited and bumped up the volume without bothering to check the meters — the the 2nd half of the show has a bit of (nice) distortion, and a few minutes of unintentional overlapping audio chaos. Fidelity realism! Can’t be beat.
Adding the element of visuals and a live audience to the usual radio experience was thrilling — so we’ll return to Spectacle at 7:30pm on Monday December 5th for another live Mudd Up! remote broadcast and film screening. Details soon!
I started teaching at Dubspot in August, thanks to Matt Shadetek. Before I began teaching I was a teacher assistant for DJ Kiva for about a month, and it was during this period that Kiva gave our class a sneak peek of his project 1000 Sunrises, which he finally put out last week. It always awesome to hear a project during its earlier stages, and then hearing it completed. Definitely worth checking out.
DJ Kiva will be dropping this freshness November 10th at Le Poisson Roug with Africa Hitech, and he will be rocking Webster Hall with Matt Shadetek November 12th.
The following material was pulled from the Dubspot blog, which Lamin wrote:
Brooklyn-based multi-instrumentalist producer and musician DJ KIVA returns with a superb new solo album 1000 Sunrises out October 18 on his Adios Babylon imprint via Destroy All Concepts.
Navigating beauty and pain with deep, mesmeric, off-centered beats, soulful, dub-wise electronic impressions, twirling synthlines, and reinforced sub-bass, 1000 Sunrises is a perfectly balanced album. The six tracks presented here are meticulously and lovingly put together, and they move with an unhurried, reassuring pace. From the opening “Feel It,” with its extra-bouncy thump and unrelenting, catchy synthline to the meditative “Tayyib,” which maintains a solemn and contemplative mood with eerie voices but holds a propulsive groove, and the staggeringly beautiful, mind-expanding title track “1000 Sunrises,” DJ Kiva remains remarkably self-reliant and uncompromising in aesthetic throughout the entire album. Album closer “City Of The Dawn” is the uplifting, post-future, and soulful electronic music you can only get from an experienced and self-assured electronic music producer, whose style and range go far beyond arbitrary and trendy sub-genres. Electronics, melody, dub, and soul come together – same as it never was.
The Performa Biennial has descended upon New York, and I’m pleased to announce that I’m writing a new radio play which will debut on Saturday, Nov. 12.
After Performa approached me about the radioplay I went off on long lines of investigation which crescendoed around the incredible, and, yes, tragic life of gay black NYC composer, Julius Eastman.
As Mary Leach writes about trying to gather his scattered work:
“Thus began an almost quixotic seven-year search for the music of Julius Eastman who died in 1990 and whose final years were a life spiraled out of control to the point where he was living in Tompkins Square Park. He’d been evicted from his apartment in the East Village—the sheriff having dumped his possessions onto the street. Julius made no effort to recover any of his music. . . One of the problems of writing about Julius is that it is difficult to state anything with certainty.”
How The Julius Eastman Memorial Dinner fits into all this will (trust me) be a surprise. This I can say: it takes a village to stage a radio play before a live audience, so for The Julius Eastman Memorial Dinner, I’ve brought aboard several pianists and voice-actors, among them Emily Manzo and Sharifa Rhodes-Pitts. Radio was central to my musical upbringing and remains something I’m committed to, so the opportunity to create new work expressly for the medium is fantastic.
They say: “For Performa 11, Performa Radio explores the literary legacy of the first mass medium, the radio broadcast. Just as early radio and sound recording influenced the modernist literature of Edgar Allan Poe, Stéphane Mallarmé, Paul Valéry, Jules Verne, and Antonin Artaud, what effects will digital radio have for the forms of literature and the development of the narrative play? Leading figures in the fields of literature, art, and music will be commissioned to write short plays, to be performed live at WNYC’s Greene Space and streamed on the Performa website.”
[another night at the laundromat]
In 2005 New World Records released a 3-CD set of Eastman’s music, which was generally associated with downtown minimalism. You can download the liner notes [PDF]. Below is a recording of “Evil Nigger” (1979) here played on four pianos with Eastman himself. One Two Three Four!
If Super Tight isn’t your favorite ersatz public access TV series yet, then u just wait. Puppets, gender melt, sketches… and, in this new episode, an interview that brings out my dark side.
screenshots followed by SUPER TIGHT: Hollow Weenies.
(What do normal people do in their spare time? I haven’t the slightest idea…)
and here’s a handy breakout video of the interview.
Fellow native new yorker (Bronx stand up!) and expert cutter-through-of-smoke-mirrors Noam Chomsky gave this talk in April 2011 while the currently flourishing #occupy movements were just a gnawing sense of horrific injustice in the occupiers bellies.
In it he breaks down such popular topics as:
1) Why economic power = political power
2) How financial regulations were systematically demolished in this country to benefit the 1% ending a ‘golden era’ of egalitarian prosperity
3) How Obama was bought by Wall Street and how he repaid them
He forgot his notes at the hotel and so it’s light on statistics and heaaaavy on truthy goodness. Need to explain to your friends why the Occupy Wall St movement matters at your next cocktail party? Start here.
Big shout out to PDX Justice for filming and posting this on Vimeo, along with The Collins Distinguished Speaker Series and the Department of English of the University of Oregon at Eugene for holding the event. If I get a free hour I’d like to rip the audio for this and encode it as a podcast. If anyone else is motivated to do it first we’ll happily host and promote it here. The fact that this thing is so relevant to the current conversation and only had 636 views when I found it is terrible.
The Mudd Up Book Clubb marches to Manhattan with a tender, challenging work by one of the most important authors around: Samuel R. Delany’s Times Square Red, Times Square Blue. The book takes Delany’s 30+ years in the porn theaters and gay bars of Times Sq. on the eve of its mid-1990s Disneyification as a grounding point for an extended examination of public space, interclass contact, polymorphous intimate pleasures, the regulation of bodies and behavior, and lots more. Sex & urbanism in Delany’s hands — you can’t go wrong!
The humanity that animates his intelligence is inspiring, as is the deft ease with which Delany flows from frank, considered anecdotes about former lovers & friends to more sociologically-minded writing. Times Square Red, Times Square Blue is built from two long essays, which are themselves quite different: the longer one more personal, the 2nd one more theoretical — it includes a powerful section on contact vs networking that is more relevant now than ever, and uses a two-column layout to play with marginality in a direct way and further shake things up.
This is the Clubb’s first nonfiction selection (not to mention our first selection by a black author), and it will give you a lot to think about. The New York Public Library stocks a handful of copies, including a nonlending one up at the Schomburg. The Manhattan location for this Clubb edition is secret, but suffice to say it’s awesome and will be familiar to those who’ve seen Delany doc The Polymath. The tentative date is November 15th. If you are interested, please join the mailing list.
If you only know Delany from his sci-fi or fantasy, then you are in for a real treat! If you don’t know Delany at all, then perhaps short story collection Aye, and Gomorrah or its earlier incarnation, Driftglass, is a good place to start – “The Star Pit” is one of those rare stories that haunts me to no end. (I wouldn’t recommend starting with Dhalgren, only because I know a handful of people who couldn’t get into it and then didn’t investigate Delany any further.)
But Samuel R. Delany’s work has many, many entrances…
OK. Let’s keep those pages turning! For more online reading about this selection, Steve Shaviro wrote an excellent review of Times Square Red, Times Square Blue — indeed, all Steve’s Delany writings are great.
