UPROOT ANDY MIX FOR DIESEL U:MUSIC RADIO

by Lamin. June 19th, 2009

Here’s an hour long mix Andy did for London’s Diesel U:Music Radio. Grab your passport.. we’re going all over the place. This one is a trip, all sorts of unexpected and pleasant stops — Soca, Dancehall, Merengue, Bullerengue, Coupe Decale, Zouglou, Funana, Punta, Dubstep, Crunk and Enjoy!

 
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UPROOT ANDY MIX FOR DIESEL U:MUSIC RADIO

TRACKLIST

Not Known – Skream
Mujeres En El Party – DJ Buxxi & Jacky Style
Que Lo Que ta pasando – Kiko DJ
Get Up Stand Up – Bunji Garlin & T.O.K.
Coupe Decale – Dady Mory
El Baile de la Tortuga – Los Alfa 8
Mambo Million – Magic Juan
No Problems – Zion Child
Cookies & Apple Juice – Cam’ron
Kingston Town (Uproot Andy Remix) – Alborosie
Bring It On (Rusko Remix) – Leon Jean-Marie
Mi Alma se Muere Ft. Fuego (DJ Ricky Soca Version) – Omega
What You Know (Hard Times) – T.I.
That Day Will Come – Capleton
Funana Santiago – Izé
Man A Man – Baby Cham
Unkown – Les Garagistes
Punta Rebane – Chicas Roland’s
Wha-La-La-Leng – Ghislain Poirier ft. Face-T
Hold the Line – Major Lazer ft. Mr. Lexx and Santigold
Faluma Ding – Faluma
Right Now (Chief Boima Remix) – Akon
My Love – Sizzla

Posted in african, american, bounce, brooklyn, coupe decale, crunk, cumbia, dancehall, dubstep, esoteric luv, global grind, global south, homegrown heat, jamaican, merengue, mixes, podcast, radio, rap, reggae, soca, south, tropical, uproot andy | 9 comments »

EL BLU DEL PING PONG

by Rupture. May 10th, 2009

Reasons 17-20 why we love Rita Indiana (y los Misterios).

Keywords: palo, dominicano, perreo, gaga, nintendo, undarundeiro, mambo violento, merengue, the rhythmic capabilities of chinese ping-pong heroes.

Posted in latin@, merengue, ouchmybrain, youtube | no comments yet »

Una Corona Para los Muertos

by Geko Jones. August 11th, 2008

Domingo Garcia Henriquez

-Tatico-

Despues que Dios hizo el mundo noto’ que se le olvidaba algo, entoces hizo las manos de Tatico

1943-1976

After God made the world, he noticed he forgot something- then he made Tatico’s hands

I’ve been out hunting in Washington Heights a couple times this year searching for tunes and source material in what’s left of the mixtape shops up there – damned internet.

On my first trip, I trekked uptown with Rupture on a Perico Ripiao re-con mission. The dealers will usually let you decide whether you want the original or the cd-r so you can really rack up at some of these spots. That trip was my first time hearing el fuego improvisado that is Tatico Henriquez.

I feel totally robbed that I didn’t hear this guy growing up on the island next door. At first listen, he is an artist that draws from the listener a sense of appreciation for his contribution not only to music but to his culture. I’ll see your cotton candy pop star and raise you one jibaro de campo and a bag of plantain chips.

Here’s the story of the chunky hick that comes down from the back woods with his accordion, lucky to get paid free food and rum, who completely changed the music game in DR and raised the stakes for merengue players from making 100 dollars to play a bar to making 3-5 thousand dollars a night. He also accredited as one of the earliest latin musicians to have crossed over and played in America.

After years of tagging along behind the best accordion players on the island, guys like Matoncito and Nicolora who’s names are only carried on the lips of camperos. He learned their old songs and in later years there was some controversy over the authorship credits of some of his interpretations. Copyright issues aside, should we not merit him for capturing and rescuing this music before it was lost? What he eventually developed was a sound of his own adding the first electric bass and congas to the genre. He would play shows from seven to eight hours long shredding on his two-row diatonic accordion tuned to the key of A instead of C like all other accordions. He did this to match the key he sang in making the interplay of his voice and his instrument sync.

Then there’s the fact he’s often just improvising the lyrics. How many people do you know that can freestyle and play instrument and sound ill at both? To me that’s genius level shit on par with folks like D’Angelo, Meshell Ndegeocello. Add to that a sweet voice, the g-suave charisma plus success element and what you get is jokes from his widow about women leaving their husbands on the dancefloor and go home with this guy.

The sound he unleashed via shows and his two hour weekly show on Radio Naguas spread all over the Dominican Republic. 30 years past his death he remains to this day one of the most requested artists on merengue tipico stations out there. He died in a car crash in 1976 and what they showed of the wreckage was a gnarled Caddy that resembled a plane crash. Tatico was Buddy Holly. Tatico was Kurt Cobain. Another one gone way too soon. He should be celebrated like Tito or Celia as one of the great contributors to latin music.

Large up to the folks over at the Merenyola website for Merengue Tipico events in NYC and for putting up this one hour documentary on youtube.
YouTube Preview Image

gex

Posted in border, everything, homegrown heat, latin@, merengue, optimism, ouchmybrain, radio, realness, tropical | 4 comments »

AIRPLANE CRASH BACHATA KRUNK

by Rupture. July 2nd, 2008

TORRE

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Jucrafry – Maraca (mad remix)

post-acoustic Dominican bump

planesunset

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Makaraka – Como Ella

spanglish bachata-crunk! synth presets the gran unifier

PERO CUANDO FUE LA ULTIMA VEZ K U REMEMBER AN ENGLISH LANGUAGE POP SONG ABOUT A CRASHING PLANE?!?!

YouTube Preview Image

Posted in bachata, crunk, latin@, merengue | 5 comments »

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