Peace good peoples. I’m new around here, so thanks firstly to Jace for having me. This here is a mix from my group Old Money for the good folks at VANE. Less a compilation of “the new hot shit” and more so genuine touchstones of influence for us. A cpl unreleased jawns on there from us, as well as one from Boima’s forthcoming African In New York. I’m really and truly still amazed that Boima managed to make me like that Usher song. Vanity Jukebox Vol. 13 Pretty Danger Mixed by Old Money by sotrvanenyc Playlist 1. Mad One – House Girls 7 – No War Inside 2. Old Money – [untitled] 3. DJ Mujava – Mugwanti / Sgwejegweje 4. DJ Tira – I Wont Let You Go 5. Old Money – Mothership [unreleased] 6. Nina Simone – See-Line Woman 7. Rebirth Brass Band – Feel Like Funkin’ It Up 8. Outkast – Spottieottiedopalicious (Nacey Remix) 9. Isa GT – Funketa 10. Kes The Band – Wotless 11. Crystal Waters – What I Need (Club Mix) 12. Maluca + The Party Squad – Lola (Ging Danga) 13. Usher – DJ Got Us Fallin’ In Love (Chief Boima Remix) 14. Lil Silva feat. Sampha – On Your Own 15. Gelú-Six – In The Building 16. Baobinga & I.D. – Man Down 17. Jhene Aiko – Club Stranger (Nguzunguzu Remix)
Also – our most recent video – “Dolla Van (Acuras, Maximas, Cressidas& Celicas)”
Also – one of the primary of the say 8 or 9 elements that influenced it – Lost Boyz – “Jeeps, Lex Coups, Bimaz & Benz”
S/o the OG “urban” brands in the vid. Mecca USA, Walker Wear and the like. And RIP Freaky Tah. If you’ve been living this long w/o Legal Drug Money you’ve been living foul!
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LV & Joshua Idehen – “Melt”
from LV & Joshua Idehen‘s album Routes, an album which came out on Keysound Recordings a few months ago. I’ve listened to the album countless times, played some tracks on the radio, and at parties prior to the unrest in London. I highly recommend it. It’s an impressive, imaginative, muscular, and fun album. On “Melt” Idehen, a Londoner of Nigerian heritage talks about growing up in London on top of a ridiculously good kwaito-informed funky jam provided by LV (very impressive vocal cut ‘n past & repeat action.) So much is said in such little time (youth, class, perseverance,…) & so much understood even when the words aren’t clear!
Matt Shadetek returns to “minimalist grime principles” this week with the killer Dutty House EP! Check out the addictive “Wonton Garden” riddim (which refused to die and here in its official/proper release) + the recent refix of Blak Ryno’s “Nuh Tek Talk” on Eddie Stats’ essential weekly roundup of heaters Ghetto Palms.
Here is a mono radio rip from a live DJ mix on WFMU a couple of weeks back. It’s jam packed with unreleased, exclusive killer Shadetek tracks! The tracklist is a little rough, but the unreleased joints – opening track “NIC U” and “Pterodactyl” are gleaming freshness not to be slept on! Look out for his Dutty House EP coming out Tuesday!
TRACKLIST
Matt Shadetek – NIC U
Matt Shadetek – This Is Love
Matt Shadetek – Pterodactyl
Contakt – Not Forgotten
??? Dubbel Dutch Remix
Matt Shadetek & Lamin Fofana – Sunshine City
Black Ryno – Nuh Take Talk (Matt Shadetek Remix)
Matt Shadetek – Delta
Kingdom – Bust Broke
Mayster & Contakt – Korak
??? Secret Agent Gel Rimix
Maxwell D – Going Away
SBTRKT & Sampha – Evening Glow
Matt Shadetek & DJ /rupture – Sunset B35
Chief Boima – Techno Rumba (DJ /rupture & Matt Shadetek Remix)
My new EP entitled ‘DUTTY HOUSE’ will be out as an early exclusive Dec. 7th on Juno and everywhere Dec. 14th on Dutty Artz. In advance of it I’m giving away this remix I did of Blak Ryno’s ‘Nuh Tek Talk’. The original is on Chimney Records’ Death Row Riddim. Blak Ryno is an exciting new Dancehall artist who came up under of Vybz Kartel’s Portmore Empire / Gaza movement. He uses a lot of interesting eastern sounding melodies in his singing which sets him apart from the new crop of Dancehall artists coming out to my ears. The original was 120bpm which is a little slower than I’ve been playing lately so I decided to speed it up to 128bpm and add some grimey house beats. I didn’t have an acapella so I actually just took the whole tune and EQd out the bass, adding my own drum and bass parts making it more like a mashup than a true remix. I’ve been playing it for a bit and thought it’d be appropriate to share it in advance of my new EP dropping on Dutty Artz. It’s my first time in a while busting out my distorted kicks and badman lyrics vibe in a while, so fans of Brooklyn Anthem may be pleased.
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I never got around to posting “Everything Is Working,” the first track I heard from Games earlier this year/in late-Spring if I can clearly recall. If you were at a party where I played/”DJ” or listened to Rupture’s Mudd Up radio show on WFMU over the Summer – specifically episodes I guest-hosted/filled-in for Jace, you probably heard that track and me going on about how effortless, charming, and amazing it sounds. Needless to say, I was looking forward to hearing more. During the wait for their mini-album That We Can Play, which is out now on Hippos In Tanks, Games (Daniel Lopatin of Oneohtrix Point Never and Joel Ford of Tiger City – two producers currently based in Brooklyn – one of whom we’ve been listening to all year!) released a series of fantastic screwed-retro mixes/mix tapes, steeped in 80s synth-pop-mystic and nostalgia (taking forgotten, obscure songs from the 80s, slowing them down, and in that process transforming them into murky, cinematic, dreamscapes). You can grab those mix tapes over at their Tumblr WAY SLOWER. Some of the characteristics (dreamy, woozy, etc.) are found on those mix tapes bleed into the five tracks on That We Can Play, especially on the opening track “Strawberry Skies,” with excellent vocal contribution from Laurel Halo, whose “Something I Never Had” we’ve played out/and on Mudd Up too, .
I’m in a S. American time warp. Everything in Rio happens slow, filtered through the humidity. No one is in a rush. Everyone wears sandals. Last night I finally made it to a baile funk. I showed up around 3 to Favela do Vidigal- in the South Zone of the city, with my friend Gabi who is researching technology + production and distribution in the Funk scene.
I felt the bass when we got out of our cab- but we still needed a five minute moto taxi up the hill, past anti-police roadblocks, to the party. The soundsystem stretched across the entirety of a T intersection- blacklights hung everywhere and the subs were mounted at head level- ensuring that chest-rattling bass could be felt even in the way back of the crowd. The blacklights accentuated the whites and neon yellows of the futbol apparel that men were rocking. Even with the hazy compressed sodium street lights- everything was glowing- it felt like a cavernous club interior. Armed men walked casually through the crowd, navigating crews of dancers bouncing to the floor and back to commands that translate to “drop it on my dick and fuck.”
What startled me most wasn’t seeing all of the tropes of baile sensationalism before me- ASS, GUNS, BASS!- but how much it reminded me of my favorite parties anywhere. Dancers who loved dancing, cute gay boys twerking it like pros, poppers battling near the speakers, footwerkers taking off their sandals and braving the cobblestone to go double time on already frenetic beats, and music that was ethereal and present, infused with all the sweet/sweat synthsations of my favorite RnB coupled with a low end urgency that has kept with funk since the latin freestyle and miami bass days. The DJ was a middle aged man in a dark grey tee and a brown zip up hoodie, he didnt sing or dance along, just looked out on the crowd with a knowing look of stoic contentment, this is his work, and he is absolutely killing it- at one point, from behind the platform that hes standing on alone about 30 yards back from the system- i glanced up at t his acer netbook and only saw Winamp running. There are no monitors, no headphones. I was already too drunk to need anything from the bars that served endless variations on fresh squeezed juices, liquor and redbull. I danced until it started to pour, the dj put a backpack on top of his laptop, a weathered tarp covered the speakers, the music kept going, but we decided to walk down the hill. Half way down the power cut out, everything went dark.
I’m still trying to get my head around the music- because it sounded different then most of the funk I had heard before. Vaguely: more European club music then 2-Live -Crew. It reminded me of NguzuNguzu- whose production I adore primarily because I have absolutely know idea what to do with it. It’s almost always too Ravey for me to want to play it out- but at the same time there is something seditious and dark beneath all the glistening synths- and that darkness and space is what keeps drawing me back. I honestly think they could of wrecked this party last night. The first track of theirs I heard was Kingdom’s remix of Hate 2 Wait- which to this day is one of my favorites to drop when its time for a radical new direction in my sets. Dutty Artz extended family Khalif MihajiLeif just killed a voicing of the original instrumental that wraps up to perfection with some Linzy-esque crooning. When homeboy graduates from college I give it two years tops until he’s a household name for 20 somethings worldwide.
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NguzuNguzu have a new E.P. dropping on Silverback records early October – they did up a promo mix for it- that you can grab over at Scattermusic- (i would re-up it for u- but my internet run real slow down here)
We had a great session down in the Dubspot basement last Monday. Dubspot’s own DJ Shiftee and Trouble and Bass’s Star Eyes came down and melted our brains. Shiftee played an hour long set of full blast dubstep, electro whatever all expertly mangle-ated on Traktor and Maschine in real time. It was exciting. Star Eyes followed with an ill set of deep and largely un-released funky, garage, dubstep and grime(!) both from herself and a who’s who of the international underground dance music scene. I always love hearing her play. Hit the Dubspot blog to stream or download the two sets, sign up for the Dubspot Radio podcast (which is produced and hosted by me and Lamin) and log on with us every Monday on Ustream from 8-10PM EST to heat up your earz if they weren’t already hot enough in this fucked up heat wave we’re having.
Last Monday we had a great show here in the basement of Dubspot on Dutty Artz radio. We streamed live on UStream as usual and had a bunch of people logged in while Taliesin, Mosholu Park and myself played some short sets followed by an epic 80 minute throwdown from NguzuNguzu. Listen through to the end to hear Daniel playing congas over juke beats live. I was a little drunk by that point but I remember it sounding super duper dope. You can check our ustream channel to see video of the session. I’m told that not all files in these posts are being pushed to the podcast stream so I’ll put their set first and you can click to stream or download the rest of ours.
This Friday I’ll be playing at my current favorite party in NYC, Turrbotax. I really like what Contakt and the Turrbotax crew have put together there. They’re playing a really cool blend of new dance music and it’s always a fun hype atmosphere. Free beer by Asahi from 11-12 doesn’t hurt either. I’m especially pleased about this Friday’s Turrbotax Business Edition since I’ll be playing with Mosca of Night Slugs. Mosca produced the 10 minute post-funky epic ‘Nike’ which really got my ears open last year. I expect this to be one to remember so please do come out and sweat with us.
Friday, July 2nd, 10pm – 4am
@ The Cove (formerly known as Hugs)
106 N. 6th Street, Williamsburg BKNY (btw Berry & Wythe)
$FREE before 11pm, $5 before 12am, $7 after
With Special Guests: Mosca (Night Slugs/London/UK)
Matt Shadetek (Dutty Artz)
Norrit (Think 2Wice/Lawrence, KS)
Residents: Video City
Rem Koolhaus
Mayster
C-Sick
Contakt
The second episode of Dutty Artz Radio is up! Me (Matt Shadetek), DJ Rupture, Mosholu Park aka Lamin and Taliesin all got together in the basement of Dubspot to all DJ some short 20 minute sets and do the first episode of our new book club!
The book we talked about is Octavia Butler’s Parable of the Sower.
I chopped the audio into separate parts for your mp3 player pleasure. We streamed it on UStream although somehow the video got lost. The full chat transcript is after the jump though so you can read back if you want. We’ll be doing this weekly on Thursday nights at 7PM NYC time (EST) at http://www.ustream.tv/duttyartznyc
This coming Monday we’ll have a special edition after Dubspot Radio which is at 8 (and I also run) with special guests NGUZU NGUZU! YAAAAA! We’re very excited
Me and Lamin are both working at Dubspot now and we are doing a new radio show out of the Dubspot basement! It’s being streamed and podcasted. Subscribe at the original post!
Our first guests on the Dubspot Radio Podcast are two New York heavyweights: Dave Q and Badawi. Dave Q has played a pivotal role in bringing Dubstep to NYC through his respected Dub War parties and his forward looking DJ sets. Badawi aka Raz Mesinai is a long time participant in many mutant strains of dub music in NY and internationally and has now teamed up with Dave Q to start The Index, their new label project. Among his many activities Raz is also an instructor here at Dubspot teaching students to produce in Ableton Live. The broadcast contains a mix by Dave Q playing from Serato followed by a short set from Raz on Ableton and at the end an interview with host Matt Shadetek.
Check out the mix and interview on Dubspot’s soundcloud:
My new solo instrumental album Flowers is out! YAAAAAAAAAAAAAAA!
It took me a while to get this out, longer than I’d like considering it’s on my own label but now it’s out and it feels GOOD! I love completing projects. But it’s not done! Now I have to actually sell some copies! If you or your grandma or your friends on the internet would like to support the Dutty Artz movement and contribute to the cause of me buying diapers, catfood and continuing my lavish lifestyle for me and my young family that would be great! There are many places to buy it. Here is a list:
BUY MATT SHADETEK – FLOWERS:
Boomkat:
This is probably a good option if you want FLAC or any of those non-mp3 formats.
If you buy here please write me a lavish review and give me five stars! I deserve it! If you’re browsing the store from your phone or whatever I am featured in front of the Electronic category in the USA store.
“iHop” excels as a futuristic dubstep number with its focus on strong shuffling rhythms, thick bass melodies, and soulful, pitch-shifted vocal sampling on par with UK funky’s finest” – Patric Fallon, XLR8R
“excellent throughout… It’s always possible that he just went so deep into Detroit that he arrived in Africa by mistake.” – Eddie Stats, The Fader
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Matt Shadetek – iHop
Earlier this afternoon, the good folks over at XLR8R liberated a track “iHop” from Flowers,Matt Shadetek’s first solo instrumental album which drops June 8th – just a couple of weeks from now. This will be the first time we announce the album on this blog! We’re all excited about Flowers, which is Matt’s most beautiful and light-hearted work to date. Read Patric Fallon’s review and download the tune at XLR8R.
