If you happen to be in the greater Boston- or have a British style pension for traveling great distances to hear electronic music and turn your brain to mush- then next week should be fairly pleasant. Together Boston is a freewheeling many venue, many genre festival whose schedule looks kind of like a regular week in Berlin, but an absolutely exceptional one in any North American city. Check the website for a ton of great lectures, workshops and parties… After the cut is my ideal schedule for the week with venues and times.

For a quick summary- Rupture on Monday, Kingdom on Tuesday, Untold and myself (at different venues unfortunately) on Wednesday, Sinden on Friday, and an all ages showcase that Ill be playing a special noisy turnablist set at on Saturday. Come say hello!

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This guy Beniton is a Brooklyn artist I’m digging at the moment. You might have heard me playing his Recession joint (YouTube below). Here’s a legit free download of his new single ‘Time to Get Paid’, Biggie sampling BK bashment hype. He’s going in hard with the haircuts as well, as you can see.

French Montana dropped  a new mixtape with DJ Drama last week appropriately titled Cocaine Konvicts/Gangsta Grillz. If you have been sleeping on French Montana and his partner Max B, wake up now.  They’re responsible for some of the most interesting mixtapes to come out of New York in 2009.  Beyond the horrific, nightmarish images, violence, drugs and guns— we all like some gun shot sound effects in our rap music, right? The sound here is remarkable, cinematic, moody, and funny.  French Montana was born in Morocco, and grew up in the Bronx.  I came across a footage/trailer for one of his Cocaine City DVDs sometime in early 2008. Montana was pretty much under the radar as an emcee (known more for his DVD business than for his mixtapes, Live From Africa, etc.) until sometime last year when he linked up with Max B (poor Max B is currently holed up in a jail cell somewhere in Hackensack, NJ pending a 75 years or life sentence.) The two began collaborating on songs, both of them rapping and singing over beats by Dame Grease and other less known producers.  Montana and Max released the mixtapes Coke Wave, Mac Wit Da Cheese (Montana), and Quarantine (Max B) this year.  “In The Morning” is from French Montana’s  Mac Wit Da Cheese mixtape and “All My Life” is from Max B’s Quarantine tape — easily two of my favorite rap songs of the year.  The tracks here should serve  introduction to Max & French. Both are at their best on these tracks, in my opinion.  The first leak from Cocaine Konvicts/Gangsta Grillz “Playin’ In The Wind” continues the Coke Wave tradition (Coke Wave 2) brilliant sing-along chorus with great/good enough rap verses.  French Montana recently signed a deal with Akon’s label Konvict Music. If only for a moment Akon would stop popping bottles with models and watching them drink, they’ll do a mixtape title Live From Africa part 2 or something.  Look for French Montana’s album next year, and pray for Max B.

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French Montana feat. Max B – In The Morning

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Max B feat. Mack Mustard – All My Life

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French Montana  – Playin’ In The Wind

DUDES AND GIRLS I JUST WANNA GIVE A QUICK PREVIEW OF THE LAST CHAIN ULL EVER LIKE. IM SHUTTIN IT DOWN.

I told everybody I’m not playing no more anybody wanna try to out do me then we goin at it like next door neighbors. Believe dat

10lbs. 197kts. Very very real I don’t know what fake feel like.$410,000. Hola señor recession proof. - T-Pain

Spotted @ RapRader

I keep on hearing voices/Telling me to ball, so I keep on buying Porsches/My watch’s like a portrait, Gorgeous!

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Gucci Mane – Gorgeous

Gucci Mane is one of the most interesting figures in rap music at the moment, and he’s suffering not only from the general psychosis of being dope but also severe auditory hallucinations.  I downloaded “Gorgeous” from cocaine blunts several weeks back, and I just got around to  hearing it. According to Noz ““Gorgeous” finds him walking the line between language and commerce obsession by way of voices in his head. We’ve heard the balling as a compulsion defense but never the full on insanity claims.” The beat is great as well, providing a perfect background for the experience that is Gucci Mane.

F*** The Recession, my bank accounts are pregnant!

& & &

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Augustus Pablo – Africa Dub

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Hugh Mundell – Africa Must Be Free By 1983

To bring us back to reality, away from Gucci Mane and the Hearing Voices movement, here’s Augustus Pablo’s “Africa Dub”, plus the original tune “Africa Must Be Free By 1983″ by Hugh Mundell, a teenage prodigy, who died far too early (1962-1983~ shot to death in Kingston while driving a car with Junior Reid.)  Hugh Mundell wrote and recorded several albums, some of which were produced by Augustus Pablo. I have yet to hear them.

Speaking of unheard/undiscovered Jamaican reggae – Props to Professor Wayneandwax for the heads up & review. I ordered Dub: Soundscapes and Shattered Songs in Jamaican Reggae from Amazon weeks ago, and still haven’t received it.

A few weeks ago, I saw a financial analyst on MSNBC who said that instead of worrying and despairing because the US economy is spiraling downward, Americans should be excited and imaginative, because it is easier to be the winner in an environment where so many people are loosing.  In most of the rap world, it’s forever boom-time and the global economic crisis is nonexistent.  Openly masking human suffering and frailty with good old fashion American hypermasculinity and boasts about one’s net worth has been the approach for radio-friendly rap artists for years, regardless of the current economic malaise.  Even when the world around is crumbling, these artists look beyond, ignoring immediate circumstances and continue to paint pictures of excess. There is no such thing as absurd, excessive balling.

To roughly quote something Hugh Masekela said – if you don’t talk about your people, their plight, injustice, struggle and you’re using their music to get rich and famous, you need your head examine, you will end up in a bad, bad place… well, a lot of people are living in that place already.

After posting that Young Capone track, and listening to the Rick Ross album (which has some surprisingly good and memorable moments) I was compelled to look at the other side of the trap/the majority/what is considered the norm to most rap listeners, or what has larger representation, Hot97 radio-playability (not to say Young Jeezy’s “Circulate” and Cam’rom’s “I Hate My Job” didn’t get played, because they did, but you are more likely to hear flamboyant and splurgy raps and attitude towards the recession.)  But this batch of tracks also features some relatively unknown/regional/up and coming rappers.

So here it is — Recession Proof Wallets for your listening pleasure. It is pretty nauseating.  It slows down in the second half, but really there’s no relief, except for the last track by UGK, adding a degree of levelheadedness and unquestionable swag, everything else here is bloated and unreal, insane and American–  so there, consider yourself warned.

 

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TRACKLIST:

Zshatwa – Fresh (Intro)
Rich Boy – It’s Over
Rick Ross – Magnificent feat. John Legend
Droop-E & B-Slimm – Think Fast
Young Capone – Dopeboyz (Show Out)
Gucci Mane – I’m The Shit
(((Talking That Money Shit Interlude)))
Fat Joe – Cupecakes feat. Benisour
Ju of D4L – Do It, Do It feat. Shawty Lo
KD – I Know U C Me
The Kid Datona – Lately feat. Amanda diva
Busta Rhymes – Hustlers Anthem ‘09 feat. T-Pain
Wale – Penthouse Anthem
Pluck – Sick feat. ST 2 Lettaz (of G-Side) & Jackie Chain
UGK – Purse Come First feat. Big Gipp
(((McLuhan takes us out with An Inventory Of Effects)))

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Young Capone – Dope Boyz (Show Out)

In spite of the difficult economic situation, the majority of rappers are still rapping/bragging about getting money and about spending it. You can check his myspace for more, but this is the dopest tune there.