Last night on 90210, when explaining why he and his girlfriend are made for each other, the character played by Tristan Wilds (the dude from the fourth season of The Wire) says, “WE BOTH LIKE DJ /RUPTURE.” WHATTT! Either the screenwriter was consulting Wilds as to what DJs he’s into, or the screenwriter was like “OH YEAH DUH, PRIVILEGED BEVERLY HILLS TEENS ARE TOTALLY, TOTALLY INTO GUARACHERO AND CUMBIA!” Maybe they have better taste than we thought? We’re pulling for a guest appearance next. We’ve already written the plot: So the girl he’s dating finds out that he’s still in high school (she’s an older woman) and dumps him because, ew. But then they GO to a DJ /Rupture gig (one where he’s DJing all obscure dancehall maybe), they meet him and he gives them sagely advice about how age ain’t nothin but a number, and they get back together. COME ON! Watch the show after the jump… the moment comes at about 12:40 in a beach scene.
Dutty Artz will release Lamin Fofana‘s debut EP What Elijah Said on September 21. Lamin has been steadily working on beats for the past few years, and he’s about to make a public birth.
When we asked him to describe the music, Lamin sent us this sentence: “Yet, he would refer to the Mother Plane, a mysterious space ship with superior beings, giant black gods or something like that, that patrolled the universe, keeping an eye on the devil and ready to rescue Black Muslims from Armageddon.” Sounds like sci-fi, but turns out it’s from the New York Times 1975 obituary (!) for Nation of Islam founder Elijah Muhammad.
Everything is not what it seems, and this music’s mark of greatness is the way it so effortlessly calls for repeat listens.
What Elijah Said EP:
01 Happy 2010 // Dark Days Are Coming
02 “I will admonish you and give you absolution”
03 What Elijah Said // Eye on the Devil
04 Dance In Yr Blood
Artwork: Boy holding fluorescent bulb, photo by Brendan Bannon, Dandora Dumpsite, Nairobi. 8/29/2006. Hundreds of trash pickers scavenge the dump for food, plastic, glass, and metal. Areas of the dump smolder from a slow burn of plastics and detritus just under the surface. Local activist have attempted to close the site due to pollution concerns.
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Lamin Fofana was born in the West African country of Guinea. When the political situation got bumpy, he moved to Freetown, Sierra Leone, where his routine involved listening to Goodie Mob and Organized Konfusion as well as attending Quranic schools/mosques. In 1997 Lamin’s family had to flee worsening conditions in Sierra Leone – losing friends, belongings, documents, a home. They spent several days crossing roads and bridges destroyed by rebels to prevent people from escaping. At the end of the year, Fofana found a new home in Harlem, New York, where he lives today.
Yes, today is my birthday! I survived last year (barely). Hugs, large bills, mp3s, and gift certificates to the crematorium all accepted…
big birthday post over at MuddUp! includes an old Rupture mix excerpt, chopped & screwed Nicki Minaj, free software for turning Biebz into Hopelandic ambience, 16 minutes of Algerian chaabi, GIFT OPTIONS, and, as always more.
Eat, drink and consume media, for tomorrow we get deleted.
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The latest release from anticon., debut album by Baths is in heavy rotation this week. It has some extremely lovely moments – worth checking – also worth spending money on, if you all are still into that.
The second episode of Dutty Artz Radio is up! Me (Matt Shadetek), DJ Rupture, Mosholu Park aka Lamin and Taliesin all got together in the basement of Dubspot to all DJ some short 20 minute sets and do the first episode of our new book club!
The book we talked about is Octavia Butler’s Parable of the Sower.
I chopped the audio into separate parts for your mp3 player pleasure. We streamed it on UStream although somehow the video got lost. The full chat transcript is after the jump though so you can read back if you want. We’ll be doing this weekly on Thursday nights at 7PM NYC time (EST) at http://www.ustream.tv/duttyartznyc
This coming Monday we’ll have a special edition after Dubspot Radio which is at 8 (and I also run) with special guests NGUZU NGUZU! YAAAAA! We’re very excited
Check 1:40 for the real moment(s) of clarity here.
Dutty Artz is a book club. You might have thought we were a record label- given that we’re releasing tracks every month and constantly feeding the internet with audio files- but it goes a lot deeper then that. If you want to be part of the club, you should read Octavia Butler’s Parable of The Sower. If you’re not in the Northern Hemisphere- you might want to wait until Summer, caus this one is dark, and if read before bed, almost guaranteed to induce the vivid nightmares that lodge in your psyche for days before revealing themselves as dreams and not memories.
We’re scrambling just like everyone else right now- trying to figure out what it means to be a record label in an era where recorded digital media has no value- and the only people making money are slicing off pounds of flesh to get branded. You’ll see us move in that direction too. It’s inevitable. Hopefully we can do it without losing too much respect. Until then you can find me steady dreaming of new distribution paradigms as we pass each other printed relics.
My new solo instrumental album Flowers is out! YAAAAAAAAAAAAAAA!
It took me a while to get this out, longer than I’d like considering it’s on my own label but now it’s out and it feels GOOD! I love completing projects. But it’s not done! Now I have to actually sell some copies! If you or your grandma or your friends on the internet would like to support the Dutty Artz movement and contribute to the cause of me buying diapers, catfood and continuing my lavish lifestyle for me and my young family that would be great! There are many places to buy it. Here is a list:
BUY MATT SHADETEK – FLOWERS:
Boomkat:
This is probably a good option if you want FLAC or any of those non-mp3 formats.
If you buy here please write me a lavish review and give me five stars! I deserve it! If you’re browsing the store from your phone or whatever I am featured in front of the Electronic category in the USA store.
This week Konkrete Jungle has NYC culturalists Dutty Artz touching down in advance of Matt Shadetek’s forthcoming solo album Flowers. He and Moshulu Park (aka Lamin Fofana) will be turning out their homegrown sounds, funky steps and bass heavy wares alongside Hipstep master I-Cue and KJ soldiers Krunchy and Junglez. Human? and Lifeline will be making sure there’s plenty of dutty to go around at the bar while Goldenchild and I-Cue bring you the real art of mixology. Follow Man Like Mac http://twitter.com/konkretejungle for the Holla For A Dolla and $5 all night passwords Dont Sleep!
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I haven’t heard that many tracks from Aidonia; he’s one of those mid to late ’00s dancehall artists you hear about all the time, see his name on countless mixtapes, and probably already heard a bunch of his tunes at parties, but you never actually went out of your way and check for his tunes. That’s until I heard the title cut from Stephen “Di Genius” Mcgregor’s incredible Bad People riddim which completely shifted my view on a couple of vocalists — but more on that shortly. “Heart Is Hers” features Aisha Davis and is produced by Equiknoxx producer/artist collective (who are also responsible producing another impressive Aidonia track titled “Negative.”) This is what dancehall sounds like in post-808s & Heartbreak/weird-emotional-electro-pop-hop era? Dancehall is going in so many different, exciting directions at the moment, and as for this particular type of sound which has been bubbling for the last few years I think it’s safe to point to T-Wayne & Yeezy as references. As Aidonia sings – “Song is too dead/it needs more life – Needs a faster melody/more melody/groove your body…”
This Friday I will be swimming the Oceans of Blood with former Change Agent homies Orien McNeill and Zack Shadetek on a fundraiser for their crazy boat project. Open bar and a fake blood slip and slide and me djing from 11-1AM What more do you want, really?
the Dutty Artz digital familia grows! Sisters and brothers let’s welcome Carlos! Like Cauto, Carlos is based in Barcelona, a city he calls home alongside Houston, TX. Carlos and I first vibed out over chopped & screwed Houston rap gems like S.L.A.B. but we quickly discovered shared affinities for drone/noise, flamenco, and I’m happy to say I introduced Carlos to the wonder of Bcn’s Moroccan music shops… He starts off in style with a post about flamenco. – /rupture
Flamenco is a famously conservative style of music. The voice, the guitar, clapping, stamping and jaleo (literally ‘ruckus’) are the key ingredients, and new additions to the mix are often met with some skepticism. This is less true now than it was before 1979, when Camaron de la Isla‘s album La Leyenda del Tiempo pulled sitars, rumba, jazz, and electric guitar into the music, but to this day, most flamenco acts willing to open their palettes to new colors do so tentatively, ultimately sounding like polite, virtuosic jazz fusion music.
This makes Enrique Morente‘s artistic path all the more remarkable. A veteran and patriarch (see: daughter Estrella Morente) of the flamenco game, he’s brought out the duende in its traditional form:
But in recent years, he’s been more interested in seeing what other shapes the duende can take, often through collaborations with surprising artists. Take this duet, with Rebel of Rai Cheb Khaled, where he gives proponents of the Flamenco is the Arabian Blues Declaration a reason to salivate, in appropriately regal settings (the Alhambra, which I used to live right next to). What I like most about this tune is how relaxed it sounds, when a meeting of two giants so often tends to be an overblown affar:
But for freaky noiseniks like me, perhaps the most mind-blowing project(and definitely the riskiest, in terms of flamenco cred) was his collaboration with Sonic Youth. They played several concerts together, but to me the gem is the performance below with just Lee Ranaldo, Steve Shelley and Morente’s “family”. Here Morente takes a more subdued role, clapping and wailing and staying in the background and Lee Ranaldo does his thing (the video’s out of sync with the audio and you can’t see Morente, but it’s the only uncut video of the whole thing):
Ernest Gonzales, the man behind the wrestling mask/moniker Mexicans with Guns sent this one over earlier today. “Me Gusto” is raw, a terrific dancefloor scorcher. Purchase the vinyl or mp3 package which dropped today w/ Chico Mann on vocals and Ghosts On Tape remixing on the flip.
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I really want to go out / I really want to go outside and stop to see your day You really want to hole up / You really want to stay inside and sleep the light away But I know what’s good / Exactly ’cause I have been there before…
Enjoy the sun… today!
Cults 7″ will be released 23 December 2012, but you can download it now here.
Props Pitchfork
ANS, "Holki" vs Fantan Mojah, "Hail The ANS" - Mosholu Park Original Refix: Play Now | Play in Popup
I muddled these together about two weeks ago, somewhere between Alabama and Louisiana, while heading to Texas on that Green Owl biodiesel bus. I had been listening to Everyday Bullshit (a 3-track EP with two stunning joints – specifically “Always Sharp” and “Holki”) by ANS, a producer from Liberec, Czech Republic — and thinking about a way to include one of his tunes in my section of our Superfront mix. The mix was already crowded with some of my favorite recent dancehall bangers. I asked Gex if he had a roots joint to cool it out with, and he suggested some remix of “Hail The King,” but he also had the acapella for which he was unaware he had. Anyway, I went straight for the acapella and five minutes later, threw up on top of ANS’s “Holki.” This is the result, with some minor vocal edits.
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