Sound written in
Here’s an excerpt:
…I used my time off in Istanbul to simply wander the streets, ending up in one of those dusty record shops where the entropy is turned up really high. There I rescued a Cymande LP that was being slowly asphyxiated under sleeveless 45s. The Fugees had sampled the Caribbean-British funk band to great effect, now I could, too. But that was a digger find. It’s value was obvious, external; a truly special record is one you create your own value for. Ebay of the heart. I don’t care for mint-condition first-editions (Recording my “Gold Teeth Thief” mix, I accidentally stepped on one of my most valuable records, an original pressing of the Winstons’ single “Amen, Brother”, whose fierce rhythm break has been sampled by precisely nine million drum & bass songs).
I don’t have a rip of the Houssein LP I discuss later in the article, but here’s a 1-2 of Cymande and the Fugees, plus $400,000 copyright lawsuit backstory.
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