MUSIC FROM SAHARAN CELLPHONES: INTERVIEW WITH CHRIS KIRKLEY

by Rupture. September 30th, 2011


Fantastic, ear- and mind-opening radio show this Monday, thanks to special guest Chris Kirkley of SahelSounds and the Music for Saharan Cellphones comp (among other projects).

Got some great feedback from this show, like this email: “your interview with Chris Kirkley was inspiring …great job ..its amazing because each time he played something i wanted to ask him a question and you asked the same question right afetrwards…i like his method of finding weddings by taxi ..what an optimist !! I love the idea that music ends up being spread by whatever technology is widely available in this case via the shitty speaker of a cell phone …soundwise not so different from transistor radios 40 years ago …some great music he found …hes a brave man”

you can listen up here :


As always, you can subscribe to the Mudd Up! podcast for downloadable versions, issued about a week after FM broadcast: , Mudd Up! RSS. Also useful: WFMU’s free iPhone app. We also have a version for Android (search for “WFMU” in the marketplace).

Posted in afrofuturism, autotune, beyond digital, radio | 1 comment »

SWEAT LODGE OCTOBER: FAMILY REUNION

by Matt Shadetek. September 28th, 2011

DUTTY ARTZ SWEAT LODGE

October 14th 10PM- 4AM $FREEE$

The Cove 108 N. 6th St, Brooklyn

DJs:

DJ Rupture

Matt Shadetek

Geko Jones

Chief Boima

Taliesin

 

 

Posted in brooklyn, chief boima, geko jones, matt shadetek, rupture, taliesin | no comments yet »

Where gas is cheaper than water

by Geko Jones. September 27th, 2011

I arrived at the Maiquetia airport around midnight and after a month in Colombia. The first thing that noticeably stood out in the parking lot, as I exited the terminal, was the impressive array of SUVs. Almost half the parking spots were occupied by them. My host, Piki from the group Bituaya, walks me to his sedan sized vehicle and breaks it down for me.

“Gas costs the equivalent of 50 cents”

“Per liter or per gallon?” I ask

“No, the whole tank.

A bottle of water costs more than it does to fill a hummer

Caracas Venezuela- Sept 2011

I’ve was invited by Bituaya to touch down in Caracas and the neighboring city Maracay thanks to a government grant issued to us by the Ministry of Culture. My itinerary for my trip is jam packed with youth activism, speaking engagements, radio interviews and, of course, some DJ gigs.  My first morning, I’m told we’re taking out Radio Verdura- a sound system van that cruises the streets of Venezuela instead of broadcasting its sounds. This is how the youth take it to the streets in Caracas.

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The action by the kids was a demonstration on their part, in an effort to take over an old movie theater by a sister organization called Catia. There appears to be some legislation that allows for squatters rights  and organizations have popped up and reclaimed some amazing spaces like el Nuevo Circo- the city’s old bull fighting arena

This space now hosts, yoga classes, acrobatics, breakdancing workshops and the like. Its a total win for the arts and culture movement in Caracas. A like minded space that was taken over years ago is called Tiuna El Fuerte. Its an enormous lot right off the highway that recently won an architectural award for its design. There are no formal building structures on the lot instead a series of interconnected shipping containers re-purposed as studios, art facilities, class rooms and media centers. Many of the city’s largest hip hop events have been hosted here and it has served workshops encompassing not just the 4 cornerstones of hip hop but also classes on reason, a full recording studio, a silk screening press and several other amenities that make it a great environment to keep kids engaged

The director of Tiuna El Fuerte took me for a ride on the metro cable to show me first hand why they work so heard on youth outreach. The metrocable connects people whose homes are on very steep and often dangerous barrios overlooking the greater metropolitan area of Caracas. As I left the second station, I saw a group of kids, none of them older than 14 walking around with 45s as big as their forearms in hand. I worried for the safety of the old lady walking toward them as they turned the corner but they gave her a kiss on the cheek as they passed. The barrios aren’t really policed by the government. They are autonomous zones where the law is passed down by gang capos and street soldiers. Outsiders aren’t usually welcomed.

Tiuna has a working relationship with the gang that runs Barrio 70.  A lot of the kids that live in the neighborhood have come through Tiuna and come out better for it. DJ Cristian El Lunatico, for example, is from el 70 and learned how to DJ at Tiuna El Fuerte. He now plays most of the local parties. Tiuna asked the local bosses if they would allow them to bring a soundsystem and let a brooklyn DJ come wreck shop in the hood. They gave us use of a basketball court and let us set up a stage, sound and lights for the party. You’ll see here in the video that a lot of the faces are really young but there a few things the video doesn’t put you on to… A) Cabs don’t go up to the barrio, the transport buses used to go up radio in any unfamiliar faces and get clearance first B) the kids weren’t doing a bunch of drugs like I’d expect at a street party like that and C) salsa de baul! (who knew that what hood kids in Caracas really loved to dance to was epicly slow emo salsa ballads? Where I’m from we call those tunes cortavenas -wrist slitters)

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Aside from the drunk dude that needed to make it absolutely clear that he had a gun standing right behind warning me that I didn’t need to worry because he was on guard duty, the party was a totally fun. Along with a lil help from DJ Cristian El Lunatico and Systema Sonoro Tiuna we got the hands up and the crowd jumpin to some new sounds.

Our last gig was the big show that we got the grant for in Maracay. Its about a 2 hour drive so along the way I had time to contemplate the visual overload of propaganda murals and posters that paint the town red. Even in the barrios where neither government nor police have jurisdiction you’ll see the “Adelante Commandante” slogans. The campaign has had an interesting effect. The people distinguish Chavez as an agent of change but show disdain for a government run by the interests of Big Petro.

We could spend hours getting into the pros and cons of different forms of government but in the end the story looked pretty much the same to me. The rich get richer and the poor get poorer because the shopping mall parking lot is always full. Nuff politkin tho.

You can watch the video to our last show here. Special shout outs to Arianna and Nanu and Tiuna El Fuerte for the light speed documentation. To Zona Verde and La Mega for hosting me on radio. To Insajuv for the awesome event logistics in Maracay and big huuuge massive ups to Bituaya for putting it all together and putting on a hell of a show to a receptive junglist massive in the midst of a tropical monsoon.

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Posted in everything | 1 comment »

NEW NETTLE ALBUM: OUT OCTOBER 25th ON SUB ROSA

by Rupture. September 26th, 2011

[reposted from Mudd Up!

As Pitchfork announced on Friday – We’ll be releasing the new Nettle album on October 25, on avant-garde/experimental powerhouse label Sub Rosa! (Sub Rosa has been publishing quality weird for over 20 years, from archival material by James Joyce and Marcel Duchamp to albums by Pauline Oliveros, Luc Ferrari, and Tod Dockstader).

For this album, we imagined a remake of Stephen King/Stanley Kubrick’s The Shining set in a luxury hotel in Dubai, U.A.E. El Resplandor: The Shining In Dubai is our soundtrack for that nonexistent film.

Nettle-El Resplandor SR324

I produced and arranged El Resplandor, working with musicians Abdelhak Rahal, Jennifer Jones, Khalid Bennaji, Andy Moor, Brent Arnold, and Lindsay Cuff. Artwork is by Emirati photographer Lamya Gargash, taken from her incredible Presence series documenting “unwanted houses and structures in the United Arab Emirates that have been abandoned or left for demolition.” Architecture writer and Studio X co-director Geoff ‘BLDGBLOG’ Manaugh gave us some mindbending liner notes.

What else can I say? I put a lot of time into making this album & I hope you enjoy it. October 25 is the U.S. date; it should reach shops in Europe about 2 weeks before that.

This Wednesday I’ll be at the Decibel Festival in Seattle, giving a free, all-ages presentation of my setup for concerts with Nettle (laptop/gear/instrument- and vocal-processing): real talk about strategies to make live electronic music more dynamic and flexible.

Image

El Resplandor tracklist:

01 El Resplandor
02 Radio Flower
03 There Is a Hole in the Middle of the World Filled With Languages That Don’t Have Names
04 Espina
05 Empty Quarters
06 Nakhil
07 Simoom (Wasp Wind)
08 Red Masque Ticker
09 El Resplandor: In the Marsh
10 Shining One
11 Khalid’s Song

Posted in arabic, arid, ghosts, homegrown heat, nettle, noir noir, ouchmybrain | no comments yet »

NYC debut: PERNETT

by Geko Jones. September 23rd, 2011

I’ve been on the road lately trying to get my worldwide airmiles up like the Jetlag King- DJ /Rupture. Miles to go before I sleep or even come close on that one, but the result thus far has been getting to play with a lot of ladies and gents I respect and admire and making friends of them along the way. Coming up in a couple weeks here in NYC, Que Bajo?! and Conrazon are collaborating with SOB’s to debut a friend and inspiration of mine by the name of Humberto Pernett. I wanted to take the time explain to you all who this guy is on a personal level as I’ve recently spent a great deal of time with him in Cali for the Petronio Festival and got to know his story.

Pernett’s dad was one of the founders of el Carnaval de Barranquilla. He grew up around amazing musicians his whole life. His aunt Carmencita Pernett was one of the first artists to take cumbia to mexico. Artists born in this type of conditioning? Femi Kuti comes to mind..

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I think just by looking at the record cover you can tell dude’s family were some serious party people.

It was inevitable from his upbringing that Pernett would go on to explore los ritmos de la costa. Tambora, cumbia, bullerengue, puya, mapale sound more like the names of root vegetable or ingredients to a sancocho stew than names of rhythms but then all these styles are so distinctly satisfying on the dancefloor that their cohesion only make sense when you think about them that way.

Taking a blessing from his musical godmother, Toto la Momposina, Pernett would go further south to Bogota where he would meet Richard Blair, a UK-born producer and they would go on to form the band Sidestepper whose 3am: In beats we trust album would reverberate worldwide.

As someone who listened to the 6 degrees music label early on, and a researcher of world music fusion for quite some time I can say with confidence that the music from that album would go on to inspire a great many producers for years to come. Our global/tropical bass scene has a lot to thank them for. Electronic music, indeed, but at its essence their sound was a less mechanical and rooted deeply in Colombia’s rich musical heritage. It was a clearly defined turning point for Latin music.

Moving on to work on his own projects Pernett has continued folding time and space to create his own blend of psychodelic caribbean sounds. Carving a sound very much his own.

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I invite you to listen to his soundcloud where he has over 100 original tracks and remixes uploaded

Change isn’t an overnight thing. The last car in the roller coaster sees the turn before it happens. But from where I’m standing, Pernett is a largely unsung hero who has and is helping shape the future of latin music.  He’s someone that we should pay a lot more attention to. He’s so far ahead of the pack that it will probably be another couple years before the world catches up to his sound let alone his performance capabilities.  His ableton live set up lets him trigger and effect tracks, while playing gaita or any number of traditional instruments which he can also effect, while singing and dropping some surreal visuals using his filters on his laptop cam. He’s one of those artists that keeps pushing himself to do more. To be more. And you should too. Be there to see him Oct 9th and feel more.

Que Bajo?! & Conrazon Present

Pernett (Colombia)

Oct 9th @ SOB’s $10 /10pm

204 Varick Street
New York, NY 10014-4810
(212) 243-4940

 

Posted in afrofuturism, carnival, colombia, cumbia, dancehall, everything, geko jones, global grind, global south, homegrown heat, newyork, parties, que bajo?!, tropical, uproot andy | 2 comments »

Au-delà numérique: Le Maroc 2011

by Rupture. September 21st, 2011

Translation is work! Necessary work.

Here’s the French language version of our Behind-the-Scenes video for Beyond Digital.

And the gringo-friendly English-language version in case you missed it:

Posted in arabic, global south, homegrown heat, morocco, rupture, taliesin | no comments yet »

LIKE A NOVACAINE LION

by Rupture. September 20th, 2011

Radio last night! Back broadcasting live from WFMU HQ after a long time on the roam. Like a lion coming off novacaine… It starts off with stillness and ramps up & up:


Be sure to tune in next week for special guest Chris Kirkley

tracklist from Mudd Up!, Sept 19th

Read the rest of this entry »

Posted in radio, rupture | no comments yet »

MUSIC FROM SAHARAN CELLPHONES LIVE ON-AIR

by Rupture. September 19th, 2011

[reposted from Mudd Up!]

Christopher Kirkley

[Chris Kirkley sketch by Isabel in Mauritania]

One of my favorite musical investigators will be joining me live on Mudd Up! a week from today: Chris Kirley. You may know him from the Music from Saharan Cellphones compilation, or the Ishilan n-Tenere LP on Mississippi Records, or his TOP LEVEL blog, Sahel Sounds. As I was working on Beyond Digital this summer, Chris was (relatively) nearby in Mauritania doing all sort of amazing & related work, and I can’t wait for him to take us through it.

Chris will be coming to the WFMU studios on Monday September 26th, stopping by Mudd Up! from 8-9pm. In a recent email, Chris details what we can expect:

I’ve been looking over the music I have and putting together a rough collection of stuff to bring. The music is representative of some of the local popular styles and genres, often the synth / drum machine / DIY PC aesthetic.

I’d also like to talk about the work of sound archivist/producer and the different ways of collecting, be it old school field recording style or searching for mp3s. One of the fascinating things to me with the whole cellphone project has been how music exists in the sahel — its creation, propagation and experience, via cellphones or cyber cafes — and how this creates these p2p networks that exist similar to but independent of the internet.

In terms of specifics, I’ve got Mauritanian synth wedding recordings, Hausa music, “Balani Show” Bamako parties, and hip hop — pretty diverse stuff, but cohesive in character.

photo-full

The day after his radio appearance, the rogue scholar will present a selection of music videos from Mauritania at Brooklyn’s rogue cinema, Spectacle. And if you want to help Music from Saharan Cellphones make yet another medium-jump, there’s a Kickstarter project to turn the free MP3 compilation in 12″ vinyl.

hand

Posted in african, beyond digital, global south | no comments yet »

Tropicalismo One-Year Anniversary Wed. in Philly with Geko Jones

by gregzinho. September 13th, 2011

Geko is back from Colombia and Venezuela.  Next obvious stop?  Cruise down the NJ Turnpike to Philly and help me + Juanderful celebrate one year of Tropicalismo!  Uproot Andy, DJ /rupture, Maga Bo, and Poirier have all stopped by in the last twelve months, time to look forward to the next twelve.

Event info / RSVP here

Posted in geko jones, gigs, tropical | no comments yet »

Music Without End

by Taliesin. September 9th, 2011

“Count C cemented his status in his West Kingston community, and in Jamaican music and cultural history, when he launched the Count C Sound System in 1947. Radio was nonexistent and, even when it did arrive in Jamaica in the late 1950s, few in West Kingston could afford either the box or the pay-as-you-go service. In times like these a sound man like Count C really was royalty. His was a small sound (a few horns and an over-sized, 5ft+ speaker, familiarly called a ‘house of joy’), but he was tough. Count C would never back down from a challenge, even when Duke Reid and the “big dogs” arrived on the scene.” – Soul Of The Lion

If you missed Josh’s perfect post on Count C earlier in the year- check it here.

It was an honor and privilege to be at 6 Wellington for Count C’s Nine Night. Skanking until dawn for one of the men who started it all.

Posted in african, dancehall, ghosts | no comments yet »

AS IS BABY, PLUS ITS FREE

by Rupture. September 6th, 2011

cartel-concierto-01

[The poster uses 3 alphabet character sets: Arabic, Tifinagh, Latin]

This Friday we’re presenting Beyond Digital Morocco at the Cinematheque de Tanger, then moving outdoors for a free concert featuring Nettle (here in Morocco Nettle is a trio: myself, Lindsay Cuff, and Brent Arnold) and Hassan Wargui (Imanaren). All happening in Tangiers’ incredible medina.

Nettle is from NYC, and Hassan’s from Souss Berber country in Morocco’s south — we’re using these days to develop and record new songs together. It’s not that music ‘transcends’ language, it’s that music is language, and our motley crew is enjoying its communicative glow. Lindsay’s learning the words (in the Berber language of Tashelhit) to an Archach song we’ll cover; Hassan’s Amazigh banjo lines help us extend ‘Mole in the Ground’ even further; Abdellah’s joining in on rebab and bendir… and things are just getting started.

Here’s a quick video of our first practice together:

 

RSVP on the Facebook event page if you’d like to let the C.I.A. know you support us. Offline, we’re making event posters at a truly special letterpress studio that’s been open for over half a century.

bonus: late-night afterparty at Morocco Palace (located on a street called ‘the Devil’s Alley’, one block over from Tangiers’ synagogue, which had a congregation of around 200,000 during its heyday) with Adil El Miloudi!!

Posted in autotune, beyond digital, global south, morocco, nettle, pre post-black, rupture, secret knowledge | no comments yet »

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