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	<title>Comments on: YOUR BOY ABOUT TO PEAK</title>
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	<link>http://www.duttyartz.com/2008/your-boy-about-to-peak/</link>
	<description>NEW YORK TROPICAL. podcast mixes from Dutty Artz family. dutty bass, nyc grime, dancehall forwards, hiphop &#38; rap, african coochie pop, bastard dubstep, fresh heat on the regular.</description>
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		<title>By: bok bok</title>
		<link>http://www.duttyartz.com/2008/your-boy-about-to-peak/comment-page-1/#comment-59</link>
		<dc:creator>bok bok</dc:creator>
		<pubDate>Mon, 04 Feb 2008 20:57:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.duttyartz.com/2008/your-boy-about-to-peak/#comment-59</guid>
		<description>i really fucking love this song 
this crew have other hits too</description>
		<content:encoded><![CDATA[<p>i really fucking love this song<br />
this crew have other hits too</p>
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		<title>By: rupture</title>
		<link>http://www.duttyartz.com/2008/your-boy-about-to-peak/comment-page-1/#comment-48</link>
		<dc:creator>rupture</dc:creator>
		<pubDate>Fri, 01 Feb 2008 22:43:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.duttyartz.com/2008/your-boy-about-to-peak/#comment-48</guid>
		<description>nobody&#039;s saying L played great &#039;because&#039; he was high Matt, i think Wayne&#039;s saying that you cant  disconnect the fact of his deep stonedness from the overall circuitry -- which includes a ton of other factors like the more talked about vectors of aesthetics audience race class  etc -- all pointing towards the idea of meaning in music being greater than a song or even musician, something generated almost communally.
  yeah, some bad criticism overvalues drugs, but i feel its valid to talk about certain scenes &amp; venues &amp; moments as having a &#039;vibe&#039; determined in part by the drugs a bunch of people there are taking or on. in part....  

the flip side is that alcohol is the biggest drug, in all music scenes, which is a good argument for drugs having no critically discernable stylistic impact at all (since few folks argue the creative relevant of booze on subgenres and producers and such)</description>
		<content:encoded><![CDATA[<p>nobody&#8217;s saying L played great &#8216;because&#8217; he was high Matt, i think Wayne&#8217;s saying that you cant  disconnect the fact of his deep stonedness from the overall circuitry &#8212; which includes a ton of other factors like the more talked about vectors of aesthetics audience race class  etc &#8212; all pointing towards the idea of meaning in music being greater than a song or even musician, something generated almost communally.<br />
  yeah, some bad criticism overvalues drugs, but i feel its valid to talk about certain scenes &amp; venues &amp; moments as having a &#8216;vibe&#8217; determined in part by the drugs a bunch of people there are taking or on. in part&#8230;.  </p>
<p>the flip side is that alcohol is the biggest drug, in all music scenes, which is a good argument for drugs having no critically discernable stylistic impact at all (since few folks argue the creative relevant of booze on subgenres and producers and such)</p>
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		<title>By: matt</title>
		<link>http://www.duttyartz.com/2008/your-boy-about-to-peak/comment-page-1/#comment-47</link>
		<dc:creator>matt</dc:creator>
		<pubDate>Fri, 01 Feb 2008 21:47:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.duttyartz.com/2008/your-boy-about-to-peak/#comment-47</guid>
		<description>Scratch smoked a lot but took breaks because he worried about the effect of too much smoking on his creativity.  Louis I can&#039;t say much about but I think it&#039;d be borderline insulting to say he played such great music &#039;because&#039; he was high.  I&#039;d say garden variety human brilliance and talent are a lot higher on the list of probable causes.</description>
		<content:encoded><![CDATA[<p>Scratch smoked a lot but took breaks because he worried about the effect of too much smoking on his creativity.  Louis I can&#8217;t say much about but I think it&#8217;d be borderline insulting to say he played such great music &#8216;because&#8217; he was high.  I&#8217;d say garden variety human brilliance and talent are a lot higher on the list of probable causes.</p>
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	<item>
		<title>By: w&#38;w</title>
		<link>http://www.duttyartz.com/2008/your-boy-about-to-peak/comment-page-1/#comment-46</link>
		<dc:creator>w&#38;w</dc:creator>
		<pubDate>Fri, 01 Feb 2008 20:56:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.duttyartz.com/2008/your-boy-about-to-peak/#comment-46</guid>
		<description>I hear you on chanting down drug determinism and all, but I gotta say for myself that I&#039;ve had some truly transformative experiences thanks to several amazing chemical substances (and these experiences are not mutually exclusive from being fucked up -- one can have one&#039;s spacecake and eat it too). And I don&#039;t know if we should discount the effects of something like ganja on something like reggae aesthetics (even if cats like Tubby&#039;s never touched the stuff; cats like Scratch sure did), or say, on the style of perennially-stoned musicians such as Louis Armstrong. 

It may be too much to credit the drugs rather than the people on the drugs, but I do think there&#039;s something to the circuitry between certain altered states and certain musical effects, approaches, etc. It&#039;s hard to extricate these things; it&#039;s also hard to celebrate them as central. Crucial, maybe.

At any rate, this song seems more suited to syrup than E anyhow.</description>
		<content:encoded><![CDATA[<p>I hear you on chanting down drug determinism and all, but I gotta say for myself that I&#8217;ve had some truly transformative experiences thanks to several amazing chemical substances (and these experiences are not mutually exclusive from being fucked up &#8212; one can have one&#8217;s spacecake and eat it too). And I don&#8217;t know if we should discount the effects of something like ganja on something like reggae aesthetics (even if cats like Tubby&#8217;s never touched the stuff; cats like Scratch sure did), or say, on the style of perennially-stoned musicians such as Louis Armstrong. </p>
<p>It may be too much to credit the drugs rather than the people on the drugs, but I do think there&#8217;s something to the circuitry between certain altered states and certain musical effects, approaches, etc. It&#8217;s hard to extricate these things; it&#8217;s also hard to celebrate them as central. Crucial, maybe.</p>
<p>At any rate, this song seems more suited to syrup than E anyhow.</p>
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